How the History Channel Screws Us, part 2

January 31st, 2012

Prophets of Doom is a year old History Channel program (I know, I’m late to the party once again) which is on youtube here. It’s caption reads:

“Today’s world has troubles unique to its time in history, from the global financial crisis to technological meltdowns to full-scale, computerized global war. HISTORY profiles three men “modern prophets” from different disciplines and with different theories who all believe America is on the decline, and will ultimately meet its end.”

Well, I’m no optimist, but I’m also very wary of “prophets” especially prophets of doom and gloom. Anyway, I was just told about this program today and gave it a shot. I got 30 minutes into it before I couldn’t take anymore, here’s why:

The Prophets:

Michael Ruppert
Michael Ruppert is quoted as saying that he is relocated to Sonoma County, CA because it would be a safer location in the event of a societal collapse (http://en.wikipedia.org/wiki/Michael_Ruppert). Ha! You know this guy has to be nuts. :) . Prediction 1: “By this time next year, I’m certain we won’t recognize the United States of America.” Original Air Date of the show: Jan 5th, 2011.So much for that. In fact, with the stagnant economy, America looks just about exactly like it did in Jan of 2011.

I love how he goes back to the Roman Empire but just kind of ignores how the British Empire “collapsed” …which is far closer in similarity and structure to the US now. The thing so many fail to grasp about the fall of the Roman Empire is that it’s complex and that complexity is situated within the context of ~400 AD, he likens terrorist attacks and drug cartels to invading horde armies! The Visigoths were estimated to have bolstered their army for the sacking Rome in 410 AD with around 30,000 escaped slaves from Italy itself. 30,000, mostly captured “barbarians” in addition to the Visigoth army. Where in the US are there 30,000 captured and enslaved enemy combatants? But for 40 or so years prior to this, Rome lost battles to the Persians and the Goths. In addition, one argument is that by accepting Christianity Rome became more passive, less violent, so how did they bolster their armies…by using “barbarian” mercenaries. And they were not treated well. Not even 10 minutes in to the program and it’s already driving me nuts with its simplistic world view. Then he confuses evolution and natural law with the fall of nations. Did the Romans just disappear after 473 AD? Nope. Did the Roman government completely go away…nope, it just concentrated itself in the east around Constantinople. When the British Empire “fell” did the Britons just disappear? Nope, they’re still there and making some fine television shows…and their Empire, while smaller and not as reigned in under one central rule still exists under the Commonwealth (Australia, Canada, etc.). So to liken the dinosaurs dying out to the fall of a nation is a bit over the top and fallacious. His whole Titanic analogy is just bollucks. Otherwise, he’s making the claim that in order to sustain ourselves, let alone grow, we need to find alternate sources of fuel/energy. Duh.

Nathan Hagens
I couldn’t find anything negative on him in a quick search, though he was a Vice President at the investment firms Salomon Brothers and Lehman Brothers (http://www.postcarbon.org/person/36233-nate-hagens) but I couldn’t find out when that was. So the key question for him is did he wait until the financial collapse in 2008 to happen and then go around saying how terrible everything is or did he quit before the collapse and warn against it happening?

But his first major comment, “Capitalism as going to have to be retooled or it can go completely by the way side. What we have now has been a failure.” Really, a failure? It’s not perfect, no, but it can adapt and has adapted. Capitalism has brought about the most benefits to humanity than any other economic model. Otherwise, he’s making the claim that in order to sustain ourselves, let alone grow, we need to find alternate sources of fuel/energy. Duh. And his overall economic-debt issue comments…well, yeah. It’s not a good situation we’re in, which means in order to fix it military spending has to be reduced and taxes have to be raised…at least as a start.

Addressing climate change is paramount because, even if global warming was not man made (which all current evidence points to as being the case: that it is man made), a ) finding new energy sources (including investing in “old” ones such as nuclear) will help to mitigate the depletion of fossil fuels, b ) investing in new technologies will help the economy.

John Cronin
Again, seems to be a legitimate investigator and water is going, or rather is, a huge global issue for humanity. But his comments about the Sumerians…pulling it out of his ass. Sorry. The Sumerians took over the region from the Ubaidians sometime around 4000 BC and then the Akkadians, seeing how awesome the region was, conquered the Sumerians around 2270 BC, then after 180 (that’s like the length of time of the United States of America from its founding to post WWII !) the Sumerians regained some control, and then the freakin’ barbarian “hill people,” the Gutians overran the place and figured civilization was just bunk where they just released all the livestock to roam the land and ignored the irrigation systems and agriculture.

I’m done. I made it about 30 minutes into it. I hate the History Channel and everything it produces. It’s ratings grabbing bullshit even if they wrap that bullshit around nuggets of truth or facts, the History Channel is not worth watching unless you’re in the mood to be scared or get angry.

America’s top concerns (no particular order), as I understand them:
Economic reform. Capitalism is the best method, but completely free capitalism doesn’t work well. There needs to be regulation to guard against the greed and corruption, or even just the accepting to be ignorant of the ramifications of their actions, that humans are naturally going to gravitate towards.
Climate change. The Earth’s biosphere is warming up and humanity is largely to blame, working on bringing humanity to a neutral impact level will address other issues as well such as fossil fuel dependance and water shortage. Even if humanity was not to blame, working on bringing humanity to a neutral impact level develops so many other boons for our species and the biosphere.
Religious fundamentalism. Regardless of the religion, it’s the fundamentalism that kills; whether it’s Islam wanting to kill all the unbelievers or Christianity dumbing down science to raise up their sheep herder myths or new age bullshit rallying behind discredited research that vaccines cause autism or the protection of child rapists from the secular justice they deserve.
Political reform. Polarizing rhetoric, “Cash is free speech,” Super Pacs, Back room lobbying, all of it breaks the system and fosters an environment where the other issues can continue to breed.
Education reform. Science is what dictates a prosperous people. From the invention of agriculture to the invention of longitude and latitude and accurate clocks to the microchip…the countries that have access to the best technology have prospered the most. Science is what gives us the tools to accurately confront the issues before us and science must be key in education. Art, literature, history, these are the subjects that teach us what it has meant and means to be human, in all it’s terror and beauty, but science is what allows us to survive to pass the rest on to future generations.
Human equality. Ensuring the equal protection and rights under the law to every human citizen, regardless of race, creed, gender, origin, sexuality, religion, is paramount to an ethical and moral nation.

These are real, immediate and long term goals that if honestly and rationally approached will help ensure the survival of the United States of America for another 236 years and more. And the History Channel, with its bullshit title name, isn’t helping.

But shit happens, things decay. The Yellowstone super volcano could erupt any year now, an asteroid impact could make for a lousy decade long winter or two, bird flu could make the airborne human-to-human jump and wipe out over half of everyone on the planet, Kermit the frog could be assassinated by the Black Hand initiating a global nuclear war.

D&D 5.0?

January 11th, 2012

Less than three years out of the gates and Wizards of the Coast is looking to move past 4th Edition of Dungeons & Dragons. Looking back, it feels obvious. And with Pathfinder (the company that took the helm of keeping the [mostly] 3rd edition alive) outselling D&D 4E it feels even more obvious. D&D was no longer D&D, it became a different game.

Why?

Some may point to various game mechanic changes and while I think that is part of the issue (and not necessarily a bad issue, as the combat is fluid and fun in 4E), it’s not the core issue.

Every role-playing game is, in essence, a world philosophy. The rules reflect, nay, manifest this philosophy. Some games are gritty and lethal while others are fantasy-heroic and within the rules the game’s philosophy emerges to help describe the universe in which the game is set.

How an individual game treats, writes-up, lays out the rules for, the “common” people in contrast to the “heroes” is one of the most key aspects to presenting the game’s philosophy. In Shadowrun the common man is only slightly easier to kill the heroes. Or, rather, death of a character is a constant worry regardless of the power level of the heroes. A common man with a big gun is a threat to new “low level” characters as he is to more experienced characters. In older versions of Dungeons & Dragons, there reached a point where the heroes felt no threat from the common man. It’s a game of epic heroism where heroes can become gods. Both of these games, Shadowrun, older versions of D&D, and other, in my opinion, good games address this idea at some level. This is not to say that large portions of the rule books are given over to dealing with the common people, but it is there. Descriptions of the “average” members of a group, community, species, etc., are laid out. 4E largely did away with this. The “common” man was largely ignored by the rules and where it is addressed is in non-rules format, to just flesh out the personality and physical description of the commoner if needed which ignores the fact that many players often confront (and thereby need rules) these commoners. 4E lacks a world/universe/cosmological/role-playing philosophy, or at least it severely lacks one with respect to older editions of the game.

Another example of this is 4E’s near total collapse of context. New books would be released detailing a plethora of new classes and races (species) for players to play…but the details were generic, they lacked anchorage to a “real” world. Starting with the 1st edition of D&D concrete settings, whole worlds (or at least portions of continents), were created with the likes of Greyhawk and Forgotten Realms. These settings had a history, cultures, societies and when new content was introduced to the game there was an effort (sometimes excellently executed and at others it felt like a square peg was hammered into a round hole) to integrate the new material into the world. If a new species was introduced they came from somewhere, a new profession emerged from some group or groups. But 4E just dropped the new rules into the laps of the gamers and left context as generic as possible.

My argument here is; because the average gamer is now well into their 30s context does as much, if not more, to spur the imagination than an awesome image and the mechanics write up of the new class/race/etc. The context of the new thing must be molded into the game’s philosophy and without a coherent philosophy…the imagination anchor has a far more difficult time finding a hold.

Also, in addressing the established campaign worlds like Greyhawk and, especially, Forgotten Realms, Wizards of the Coast essentially dropped support for them. For the Forgotten Realms they introduced two new books at the beginning of 4E, that nearly destroyed any possibility of importing old characters into the new timeline, but then for two years failed to add anything. Long running campaigns, which in my experience is the standard model for gaming groups (though I don’t have data on this), had to either choose to completely start over or stick with the older rules and therefor, naturally, expand into Pathfinder.

Lastly, 4E dropped any and all social actions to the wayside. The game was nearly completely focused on combat. Social skills are present but they’re either tailored for use in combat (Bluff) or thrown in as if an after thought (Diplomacy) and then all other content is focused on combat. While yes, the players are free to use the skills and to engage in role playing…the game largely ignored it and only address the “role” of being an individual in combat. Emerson into the game is relegated to combat and combat alone.

4E’s only philosophy was “combat happens.” And in that philosophy they made the game fun. But without any serious support for the context in which that combat occurs they failed and the game itself failed. If not, then why a 5th edition, with a call for player input, less than three years after its release?

The Internet Bible

August 19th, 2011

Part 1 of 3 is finished. The Internet Bible, or Biblios delasel Internetus in the old tongue in cheek, The Older Stuff is complete and uploaded to my website under the non-fiction section. It mildly parodies the Old Testament and Upanishads.

A direct link to the pdf is here.

Enjoy and heed the words therein well :)

Brick walls

August 1st, 2011

Brick wall. Late night brick wall. Did you see it. There, right there. I ran into it. Maybe it ran into me. Relative. Regardless, brick wall. In the face. Nose smushed to the left. I can feel the pocked indentations of the texture of the brick imprinting on the flesh around my nostril. Brick wall. I could taste it. Part my lips, stick my tongue out, drag it along the red brick and the white lined mortal. That’s the brick wall. It’s there, in front of me, as ifI’m laying on top of it, or it on me. Relative. And while I know, as a deep terrible desire-like emotional and intellectual knowledge, that I should walk away from the brick wall. It’s heavy. Or I’m heavy. Relative. The brick wall invites exploration, it beacons my fingers to slide along its surface, begging my eyes to map out every porous pit, demanding my lungs to expand and inhale through my one open nostril the dusty dryness. Brick wall. Late night. Move away, back off, but the brick wall sticks to my clothes like Velcro. Or my clothes stick to it. Relative. Sledgehammer, need to find that sledgehammer. I left it somewhere, it’s either in my bed, a book, or some start to some written work…hopefully not about brick walls. But what ever. Relative.

How the History Channel Screws Us

July 19th, 2011

Bill: Oh, watch out for the horse crap, Ted.

Ted: Oh, thanks dude.

-Bill & Ted’s Excellent Adventure

There is so much horse shit out there, the key to managing existence is to learn to identify the horse shit for what it is. Though this sounds easy, one would think that the smell alone would alert us to its presence, it’s not easy. Horse shit is being peddled to us on a daily, hourly, basis. This blitzkrieg of manure comes at us in such rapid fire succession that, without the healthy use of pause-and-rewind, we aren’t given time to reflect or explore, for ourselves, any give subject before we’re hit with the next barrage crap disguised as truth-repressed.

Take for example the History Channel’s program…Ancient Aliens – Gods & Aliens: Peddling horse shit like it’s competing against gold in this shitty economy. (Watch it here)

For starters, imagine you’re seven years old again, or the earliest you can remember yourself, the earliest moment you remember being conscious; self aware. Now imagine that self, yourself, at a time far before modern life, before it was even known that planting seeds would give rise to crops. Place yourself there, well over five thousand years ago, where your family hunted herd animals for food or even before that when you fed of the carcasses of the kills of lions or other, larger, predators. Then imagine looking up at the sky, the sun, watching it throughout the day as it travels slowly across the blue sky. Imagine watching a thunderstorm roll across the horizon, lightning streaking down, thunder following, over the course of an afternoon. Then, having learned nothing about modern astronomy, about stars being distant suns or the Milky Way is the galaxy which contains us, imagine the sun setting and the stars appearing, one by one, as dusk turns to night. Imagine how the five other planets, while they seem just like all the other stars to you at least in appearance, move differently than the “fixed” stars. Imagine viewing the occasional mysterious streaks of meteors, which grow more numerous at least twice during a year or the rare comet streaking across the night for months then never to be seen again…at least by you. Imagine the changes of the moon, its phases, sometimes appearing during the day, sometimes during the night. Imagine, as a woman, noticing the close correlation of the phases of the moon to your menstrual cycle as you lived beyond puberty. Just imagine all that, having no modern knowledge, no writing in which to record these things for future generations only, at best, pictographs on the walls of caves. Imagine growing up with that…what would you tell your children when they asked, “why does Mars move like that?” or “where does the lightning and thunder come from?” What would you say? You can’t really study history without having empathy for the humans in it.

The opening questions that this program asks is, “But just who where these mystical beings that ruled the sky with supernatural powers…did our ancient ancestors create the gods from their own imaginations or did they simply report events they believed to be true?”

Why not both? Simply because “they believed” it to be true doesn’t make it true. “They,” meaning our ancient ancestors, believed the Sun revolved around the Earth. And really…what our really ancient ancestors believed is kind of all up in the air…without any written record saying “we believe…” we’ve got nothing but conjecture to go on. Conjecture based on the later records, the texts and artifacts, made by the people who inherited and expanded upon those earlier oral traditions. Add to that, gods and monsters make great, entertaining, story devices. The story of a man having to travel to the far hills to get some lumber is a little boring, even if it was a great event for the city. But if he gets there and finds the forest guarded by a monster created by the gods…well that’s a story that will light up the eyes of the kids around the campfire. “Adventure, excitement – a Jedi craves not these things,” but the Star Wars audience does! If given long enough, these stories then gather a cloak of dogma moving them from the realm of entertainment and possible explanation to cherished belief.

The program quickly switches to a commentator, not yet named, who says “Our ancestors misinterpreted extraterrestrials as gods because that was the only way that they could explain away what they witnessed.” This is a bold claim that, in the span of a few seconds, completely ignores all actual textual evidence from the historical record. A bold claim when the only evidence left over is text, written words, describing what they, our “ancient” ancestors, witnessed and crafted as surviving artifacts. Again, imagine yourself, pre-puberty, watching a thunderstorm or the sun rise and set on the horizon. How would you describe these events?

The second “big” question the program asks is “Millions of people around the world believe we have been visited in the past by extraterrestrial beings, what if it were true?” Over a billion people believe that Allah is the one true god and Mohammad is his prophet. Over two billion are Christian. Nearly a billion are Hindu. Nearly 150 million are atheist. 15 million are Jewish. (Source) Does belief equate to fact? No. Regardless of what is believed, in the end we are only left with the evidence…so does the evidence point conclusively towards extraterrestrial involvement with the origins of humanity? But what bearing on the program does that statement have for the program? None. It’s a sentence stated in order to give the appearance of legitimacy for the rest of the program but it adds nothing to the other questions at hand.

The show jumps into Schliemann’s excavation of Troy. Note, lecturer Richard Rader of UCLA, only states that Schliemann’s discovery “rocks the archeology world,” in finding Troy. Which is true. Schliemann’s discovery ushered in an era of archeology that is still going on today. And if you’ve read the Iliad, you’ll note that the gods take an anecdotal bookending to the human-centered events. One could remove the gods from the Iliad and still have a compelling story that inspires the imagination. War is the story of humanity becoming and fighting the monster that is humanity at war.

Yet the narrator goes so far to say, “But if Homer’s story of Troy was true, what would it say about other Greek stories and myths. Might those also be true? Did powerful gods and goddesses actually exist? And if so, where did they come from?”

The earliest recorded human story, the Epic of Gilgamesh, tells the tale of Gilgamesh; a two-thirds divine hero and ruler of Uruk who travels, among other places, to the underworld in search of immortality. And yet, there are records, written accounts amounting to a list, that state there was an actual king “Gilgamesh.” And I ask you, how elevated has Ronald Regan become to some in America, or Abraham Lincoln, or George Washington, or Thomas Jefferson? What if literacy was removed from the human experience for the past three thousand years? How would the oral stories of Regan, Lincoln, Washington, or Jefferson have portrayed them some twenty-five, thirty, centuries later?

Schliemann’s discovery of Troy indicates that a location in an ancient text actually existed. There’s evidence for the city. If the city was visited by extraterrestrials as Greek gods, then there hasn’t been any evidence excavated; no discarded laser battery packs, or “I went to Earth and all I got was this lousy tunic” articles of clothing. Nothing. Just the remains of an ancient human settlement.

Next the show names some ancient Greek temples as a segue to talk about gods coming down from the sky as a quick, spitfire, way of pretending to add credence to the idea that the ancient gods of those temples were not only real but, hint-hint, they were aliens. David Childress, a “world traveler” who has no formal education in ancient cultures, astronomy, or physics (at least no documentation that I could find after reading over a couple of his biographies), then says, “When you look at many of the mythologies around the world they have these stories of gods coming down from the sky.” The reply to this is…”so?” Remember that seven-year-old from thousands of years ago looking up at the sky. Birds come down from the sky, meteors, lightning, rolling banks of clouds over mountains, and so on. Would not a made up sky deity take on the properties of that which falls under its domain? Rader then says, “there’s a beautiful description of the way that the gods move like when they kind of come down to the Earth you get the sense of them gliding down but the way that they move is kind of beyond time, it just kind of happens.” Great. Rader says “there’s a” or “there is a”…as if speaking about a specific bit of text. So what’s the description? From what source? The actual information is omitted. The actual, proposed evidence is not presented. You are not given it and you are not even given a hint as to where to find it. The program is assuming either we already know what the quote is or that we’re too stupid to notice it’s not being presented. Whether the creators of the program are conscious of it or not, I’m betting on the latter.

The program then goes on to say, “If the ancient Greeks invented the stories of gods as a primitive attempt to explain their universe, how can we account for similar deities found in widely different regions and cultures around the globe? Was it mere coincidence or was there a common origin for these gods who supposedly traveled to Earth from the skies.” The images being shown during this quick narration are a Renaissance painting, a bird-like emblem (presumably Mesoamerican), a relief of Ashur (presumably, though I’m not positive), a Mesoamerican statue with headdress, then a Greco-Roman statue, and finally a completely modern image. Does the History Channel label these objects? No. This is of utmost importance. If the program is going to present items for our consideration, presumably as possible evidence for extraterrestrial involvement in human civilizations, knowing where these things come from, or at least being able to look into it ourselves, is key to our understanding. It’s like giving a coloring book to a kid but throwing the crayons on the radiator and then yelling at the kid that she’s not flipping through the book fast enough.

Look at it this way. Two thousand years from now, archeologists dig up a modern apartment complex. Now the archeologists have documented all the items they’ve found, from what rooms they’ve come from, etc. But a television program (or mind-telepathy program, or what ever it could be in two thousand years) runs a show saying “did giants once terrorize our cities and did ancient humans (us) fight them with their primitive militaries?” all the while they’re displaying images of Barbie dolls next to G.I. Joe. If we can look at what the archeologists documented, we’d find that the same room in which these artifacts were found there was only a single bed and it did not have its own bathroom but there was a plethora of other objects akin to the two shown in the program as well as rudimentary counting blocks and other items indicative of childhood. In the larger bedroom, with connecting bathroom, there was a double bed with crucifixes and paintings of the Virgin Mary. Where something is found is often just as important, or more important, than what it looks like.

Back to what the narrator says, “If the ancient Greeks invented the stories of gods as a primitive attempt to explain their universe, how can we account for similar deities found in widely different regions and cultures around the globe? Was it mere coincidence or was there a common origin for these gods who supposedly traveled to Earth from the skies.”

How can we account for this? Well the simplest is…we’re all human! If the Greeks invented stories to explain their universe, then the Maya, Aztecs, Navajos, Hittites, Egyptians, Etruscans, Zulus, Nords, Chinese, Aborigines, all did as well. That’s it. Big mystery solved. People look up, see the sky, and try to figure things out. The common origin is the human brain, the Earth, its one Sun, and our positing within the Universe. So everyone around the globe sees the same damn thing…just at different times. Same for stars, meteors, comets, planets, birds, thunder, lightning, rain, floods, etc. If humanity is prone to worshiping gods, and it is, then it’s easy to see how humans all over the world would create similar gods. It’s more than a coincidence; it’s human nature.

Jason Martell then says, “the earliest civilization we have, thirty-eight hundred B.C., the Sumerians actually give us visual descriptions of these beings and speak of this time that they lived amongst their living gods. They called their gods the Anunnaki, and that term simply meant ‘those who from heaven come to Earth.’” Martell seems to be using his own definition. Wikipedia says the name means ‘those of royal blood’ or ‘princely offspring’ and most online dictionaries define the term as ‘servitors of the gods’ ascribing them power more akin to genii and spirits than gods. In one of the earliest records of the Anunnaki, the Atra-Hasis, the earth-god Enlil creates the Anunnaki to be field laborers –who then rebel after forty years so the gods then create humanity (extremely similar to the later description of the fall of the sons of God in Genesis by the nearby Israelites some six hundred years later…and both lead to a Flood myth). Is Martell making things up as he goes along in order to fit his latest book?

Rader then comes in and says, “mythology is chalk full of these episodes of these gods coming down to Earth. I mean, because mythology is so interested in the relationship between gods and humans there is necessarily going to be a lot of communication and communion between the two of them.” What is being left out is that mythology is also full of how the gods were created and it’s not from coming down from the sky. Gods are born from the heads of other gods, the sea, the genitals of their parents, from the copulation of earth and sky gods, from eggs, virgin births, some even existed before time began, just about every imaginable way are they created. The gods then take up residence in heavily abodes (or create them). Just because a text says a god came down from heaven does not indicate that is where the god originated.

The program then introduces Erik Von Daniken (aside from a brief quote from him in the introduction). The narrator says, “in his book…Daniken argues that the worlds’ sacred books are full of descriptions not of gods but of supernatural beings interacting with humans.” Now this may just be terrible writing of the program, but, well, Daniken argues that it is extraterrestrials who are mistaken or labeled as gods. Extraterrestrials are, if they exist, “natural.” They can be studied, interacted with, subjected to physical tests to determine their nature. If they’re “supernatural,” then they exist outside of nature and are therefore actually gods.

But the biggest mistake is having Daniken on the show. When his name pops up then Bill S. Preston, Esquire should be in your ear warning you that you’re about to step, knee-deep, into horseshit. Daniken’s basic premise is that extraterrestrials visited Earth long ago and mankind was ill-equipped to understand their technology and mislabeled them as gods.

There are a lot of problems with this premise. First off, Greek gods emerge around 1,000 B.C.E. (big plus or minus there) with the Iliad being one of the earliest written records of those gods. But the Egyptian gods, well, 3,000 B.C.E., Sumerians nearly 4,000 B.C.E. the Judeo-Christian god (and the other gods mentioned in the Old Testament) around 1,200 B.C.E. Then in the Americas, the Maya gods around 2,000 B.C.E., but the Nazca Lines in Peru (a big source sited by those claiming ancient extraterrestrial visitations) were made, at the earliest, around 400 A.D. So there is over 4000 years of proposed alien visitation across the globe and not one, not a single alien artifact has been documented and dated. Secondly, in those 4000 years, the aliens never passed on information, unambiguous declarations, about bacteria and washing of one’s hands, how to make a steam engine, how light works, etc. Thirdly, name etymology of the gods either progresses along known linguistic transitions between similar cultures (i.e. Sumerian, Babaloynian, Hittite, Assyrian, Judeo-Christian) or they are completely dissimilar (i.e. Near East vs. Americas).

Then we go to Mount Olympus, home of many of the Greek gods. Again, the speaker claims that some descriptions of the home of the gods as coming down to the top of Mount Olympus and rising back up. Page number, please. Then quickly glossing over the fact that describing the home of a god or gods as being made of gold, silver, and jewels sounds like the dream of every aspiring human warlord, the program then starts making modern weapons out of lightning and tridents which are linked to natural phenomena. Like OMG, make things up much? Seriously, these guests are creating a new mythology that does nothing to add to understanding human history. And this is a huge issue with the program. Each section could easily fill a hour long program dealing with the actual facts; gods in the Iliad, the ruins of Carnac, genetic progression of homo sapiens, etc. But in each case, the show jumps quickly from topic to topic, briefly peddling bullshit sentences full of “If’s”, “Maybe’s,” and “Could it be possible’s.”

The narrator then goes on to say the Romans paid homage to gods similar to the Greeks and asks is it a coincidence that Apollo had the same name amongst both cultures? I’m sorry, did the writers and producers of this program ever look at a map? Ancient Rome here…Greece here. Neighbors often borrow things with out giving credit, er, giving them back. Are the authors of this program unaware of the utter love for Greek culture the Romans had, how the best slave to have had in one’s household as a Roman was a Greek philosopher. How the Greeks were influenced by the Etruscan’s, proto-Romans, whose name for Apollo was Apulu?

Then someone comes on and says this idiotic bit of drivel, “We know that the extraterrestrials more than likely are the source of what they call gods. How did they get here, more than likely in some type of craft.” If we knew, “more than likely,” perhaps we would have ancient text that says something along the lines of “And Zeus (or Aten, or what ever god) came down from heaven and spoke of having come from near the second star in Orion’s Belt, from a region where stars were born…” Is there anything definitive like this…not that I’m aware of and nothing is presented in this show to indicate otherwise.

Then we get into the Stones of Carnac with an overview, of how shit-crazy impossible it would be for mere humans to have created them all on their lonesome, by David Childress. Somehow, these stones, are used by Apollo to guide himself to Hyberboria. I guess the aliens could travel light years across empty space to get here, but couldn’t map the goddamn planet to know where they’re going or even understand how a compass works. And the program goes on to posit that it’s so crazy that they’re laid out in Pythagorean triangles. Daniken says, “the angles are always the same, it’s Pythagorean triangles, it’s all a giant geometrical pattern. From stone age, which is impossible, our stone age people had no idea of Pythagoras triangles. Pythagoras was about four hundred and twenty B.C.” Wait? Are there inscriptions saying, “This is laid out using Pythagorean Theory”? No. All Pythagoras’ Theorem says is, for a right-angled triangle, the square of one side plus the square of the other side equals the square of the hypotenuse. But anyone, from any age, that makes a right triangle unknowingly has created an object that will, by definition, conform to Pythagoras Theorem. If you arrange four stones in a square or rectangle and draw a line between two opposing corners…bam! You’ve got a right-triangle which conforms to Pythagoras’ Theorem. To paraphrase; “Shit Ted,” “Thanks, Bill.”

We’ve come to the end of the first third of this monstrosity, which in and of itself is but a single episode of the second season of a series entitled, “Ancient Aliens.” This is where I’m stopping, not because it gets any better, but because nearly every sentence uttered by either the narrator or the guest speakers are either severely uninformed about the subject or is outright lying or ignoring information. The images shown along with the program pick and choose from across the temporal landscape of human art, architecture, and artifacts with little to no citing of what one is actually looking at. At best it is a deliberate misleading of the facts to fit a fantasy. At worst it is lies in order to confuse and sell purely fictional non-fiction books.

The History Channel is no longer about history, about the study of the human record through texts and artifacts. It is the Channel of Earth-based fantasy that works to misrepresent and lie about the facts of human history. By claiming to be “The History Channel” and presenting programs like Ancient Aliens it is screwing us over. Human history is rich with deeds, thoughts, and accomplishments of…humans, like you and I, and by honestly approaching the subject we learn what we humans are capable of, for good or ill. By removing humans as the prime actors in history, without any hard evidence to indicate otherwise, we explosively crap all over our ancestors and shove our children blindfolded down a path of horse shit.

P.S. Thanks to P.Z. Myers for posting the episode in question on his blog so that I could come across it and get a little pissed off.

Shadowrun vs. Dungeons & Dragons

November 9th, 2010

I’ve been playing role-playing games since Christmas 1982. That’s just about 28 years of reading hundreds of RPG books, from rule books to magazine articles to short and long fiction. In the beginning it was Dungeons & Dragons, and while there have been other games during those nearly three decades only two have stuck out as my favorites; Dungeons & Dragons and Shadowrun.

Shadowrun, which was first released in 1989, is a near future dystopian fantasy/sci-fi game where you typically play a criminal in a world controlled by corporations and dragons, where magic exists and has enough influence on culture that even MIT changed their name to MIT&T (Massachusetts Institute of Technology and Thaumaturgy), and sadly, I haven’t played it for nearly 5 years now. But as of 2004 I had read every Shadowrun game book (90+ books), excerpt (at least 3-5), and novel (35+) (at least the products publish in America, there are additional books published in various European countries that I haven’t read).

In role-playing games there is the idea of the “game world” or “campaign world.” This is the world in which the game is played with “world” being in its broadest sense (think cosmological). As players you can create your own world, but D&D and Shadowrun both have published worlds, where they, the publishers, construct the continents, politics, cultures, regions, species, races, etc. In published books they update and detail different regions, peoples, societies, etc. These books tend to read like fantasy travel guides. For D&D there were multiple campaign worlds. In the beginning there was Greyhawk. Then came the Forgotten Realms and on its heels came Planescape, Ravenloft, and many others. For Shadowrun there’s always been one world, our world with our people, species, races, and cultures only on an alternate timeline that significantly diverges from ours in 2011 when magic “comes back” to our world.

In the summer of 2008, Dungeons & Dragons 4th edition was released. It completely changed the rules and feel of the game, for better or worse. I lean towards worse. In past versions of the game the “travel guide” books would come out and mixed in with the guide part, the fictional story-telling, would be additional rules to add to the game in order to give that region its own feel. With the 4th edition of D&D, these travel guides have been completely dropped. They no longer exist. The books they publish contain rules, additions, updates to the rules, but all severely lacking context. In a word, I find them boring.

Now, one might say, “so what?” To that, my answer is that the travel guide aspect allows for “immersion.” It allows players to create characters with ties to people in local communities, create backgrounds for their characters; they enhance the ability to create an integrated history for that persona which the player plays…it fosters the “role” in role-playing. For the Game Master (Dungeon Master since we’re talking about D&D here), the person that controls everything from the monsters to the weather to the local farmers that the players meet, it allows them to draw upon individuals and settings that the players are familiar with. The travel guides anchor the improvisation storytelling to a foundation-script.

All that is gone. For the past two years it has been a barren landscape of grey rules coming out of the Dungeons & Dragons product line that reads like it is written for 8 year olds.

A week ago, after nearly 5 years, I finally started buying some Shadowrun books (thanks Leif!), mainly because I loved the old (pre-five years ago) books and secondarily because I really want to play Shadowrun in 2011…the year when magic comes back in the fictional world. I bought an adventure book, a book that has new gear (weapons, vehicles, drugs, etc.), a book that updates Seattle to the current timeline, and a comprehensive timeline book of the Shadowrun universe that includes write ups on many countries as they currently stand.

On opening the first book, Seattle 2072, I nearly cried. It is beautiful. It captures why I love Shadowrun above all others. The book is written (like its 1989 counterpart set in 2050) like an actual normal travel guide. Really. The first section (after a two page short story) reads:

“The City On The Sound

“Seattle: the Emerald City, premier metroplex, the western port and outpost of the United Canadian and American States, an urban locale of culture, history, and vibrant activity nestled amidst the Native American Nations and the thriving ecosystem of the Pacific Northwest. Seattle is a prime destination for travelers; for business, and urban sight-seeing vacation, or an extended visit to the surrounding wilderness. This Guide looks at the things you should know when planning your next trip to Seattle, the City on the Sound!”

But it is written like a travel guide that has been posted to an underworld online distribution site, where the various criminals and quasi-criminals (i.e. Shadowrunners) can post their own comments. Right after that opening paragraph a very famous shadowrunner posts the following:

“Seattle, city in the shadows. Welcome to our version of the popular “Living Planet™ Guide to Seattle, where we make the Guide a little more “living” than the publishers originally intended by stripping out much of the oh-so-helpful commentary on tourist attractions, family-friendly places to eat, and top ten lists of the Most Romantic or Most Reasonably Priced establishments in town. Instead, we focus on the “real” Seattle Metroplex: the crazy, mixed-up, fucked-up place that has been and continues to be one of the greatest haves for shadowrunners and edge societies in the world. If you want the tourist stuff, buy (or pirate) an original copy of Living Planet’s Guide for yourself. If you want the real skinny on what’s going on in the Seattle shadows, then you’ve come to the right place. We’ve got intel from the usual suspects along with some local experts I’ve invited onboard. Enjoy, and use it well.

-Fastjack”

And the rest of the book is filled with shadowrunners commenting on the best places to work, people to avoid, where to buy illegal items, what corporations are in control of what areas, and so on. Nearly every paragraph contains something that can be used by players or game masters to help add depth to their game.

Then I opened the Sixth World Almanac. I was expecting something similar to the Forgotten Realms book, The Grand History of the Realms (which was published just before the change to 4th edition D&D). The Realms book is a timeline of that fantasy world covering thousands of years with small font size basically in the following format

Year N: So and so nation did this.

Year N+1: This guy did this causing this event. And over there so and so nation did this.

Year N+2: This event happened. This person was born.

Etc.

And every couple of pages is a sidebar, a detailed half-page write up on some interesting or important event.

But Shadowrun’s Sixth World Almanac? Granted, it doesn’t have thousands of years of history to write up…only just under a century. But instead, the sidebars are the timeline, the Year N…, important events. The rest, the majority of text, are fictional write ups on important events that are written “in character.” The write ups are presented as news articles, lyrics to best selling songs for that year, excerpts from interviews of important personages. I only flipped through most of the history so far. But I read the excerpt of the flight recorder for EuroAir Flight 329, in 2041. I read the last line and began to sob. I know, I’m getting old. Maybe ten years ago I would have just gotten chills. But regardless…when was the last time that a D&D book inspired such passion?

The last half of the book presents two page (on average) write ups on many nations across the world from the perspective Shadowrun’s fictional wikipeadia-equivalent (much like the Seattle’s book “Living Planet Guide”) with shadowrunners throwing in their two nuyen in a forum style commentary.

The Sixth World Almanac also includes several short stories, two pages or so each, sprinkled throughout the book.

Then there’s the gear book, Arsenal. The 4th edition D&D equivalent is the Adventurer’s Vault. The Vault is 223 pages mundane and magical items (mostly magical) where the only fictional text, text not relating to the rules or how the item works, is in brief, one-sentence, descriptions on what the magic item looks like.

Shadowrun’s Arsenal is 199 pages that is written like an online catalog from 2071 that includes one page short stories as well as the forum-style comments from shadowrunners.

Shadowrun books are, on average, more expensive that D&D books (though D&D’s new line of “Essentials” looks to be lowering the overall cost but at the expense of even further lowering the quality). But the entertainment of the Shadowrun books, which read like fiction (anyone familiar with Lauren Myracle’s “ttyl” teen novel?), is a step, no, several stories above anything that D&D 4th edition has produced in the 2+ years that it has been out.

In the past 2 years of playing just D&D 4th edition I’ve only taken pleasure, I’ve only had fun, with the fact that I’m with friends and the stories that we, collectively, have been creating. But with Shadowrun, I’m having fun the moment I’m reading their books.

(As a side note, the only piece of fiction that I wrote that got accepted, and I’ve only attempted to get published through Shadowrun or D&D publishers, was a Shadowrun short story, Some Runs, but the magazine that was to publish it went under before the issue in which the story was to appear was printed.)

Sanity and or Fear Reporting Coverage

October 30th, 2010

I only caught the tail end of the Stewart/Colbert Rally to Restore Sanity and or Fear. A few hours later I wondered what the big media’s take was on the whole thing so I went to CNN and read their main entry on it. After reading that I went to fox and read their take. Then I read MSNBC’s account.

While reading MSNBC’s account I realized that Fox and MSNBC were doing some copy-pasting from the Associated Press’ article so I looked that up and read it (Using AP material isn’t new or strange and Fox states “The Associated Press contributed to this report” and MSNBC gave credit to the whole AP article as they didn’t change anything, just a total copy-paste).

This got me interested in looking at what was added, changed, or not included to the Fox article from the AP version and after a little bit here’s some interesting things…

Fox News:

“The crowds were festive, goofy, disillusioned with the state of politics if not the nation, and ready to play nice at a gathering called to counter all the shouting and flying insults of these polarized times. So were the hosts.”

AP Text used:

“Part comedy show, part pep talk, the rally drew together tens of thousands stretched across an expanse of the National Mall, a festive congregation of the goofy and the politically disenchanted. ” and from another paragraph, “The idea was to provide a counterweight to all the shouting and flying insults of these polarized times. But there were political undertones, too, pushing back against conservatives ahead of Tuesday’s election.”

Another interesting change;

AP original:

“In the shadow of the Capitol and the election, comedians Jon Stewart and Stephen Colbert entertained a huge throng Saturday at a “sanity” rally poking fun at the nation’s ill-tempered politics, fear-mongers and doomsayers.”

Fox News:

“Just three days before pivotal midterm elections, comedians Jon Stewart and Stephen Colbert threw a “sanity” rally in the shadow of the Capitol that organizers insisted wasn’t about politics.

“But there were political undertones to Saturday’s event as the two Comedy Central hosts entertained a huge throng stretched alongside the National Mall by poking fun at the nation’s diversity and its ill-tempered politics.”

What’s interesting here is the decision on Fox’s part to change the AP’s “fear-mongers and doomsayers” to “nation’s diversity.”

An interesting omission on Fox’s part comes from the following:

AP:

“Colbert, who poses as an ultraconservative on his show, played the personification of fear at the rally. He arrived on stage in a capsule like a rescued Chilean miner, from a supposed underground bunker. He pretended to distrust all Muslims until one of his heroes, basketball great Kareem Abdul-Jabbar, who is Muslim, came on the stage.”

Fox News:

“Colbert arrived on stage like a rescued Chilean mine worker, in a capsule from a supposed underground bunker, after Stewart made a show of counting the crowd, tens of thousands strong, one by one.”

The Fox News article does not mention Kareem or the interplay between the basketball great and Colbert.

There are other smaller changes as well, such as Fox News inserting “especially” in the AP’s sentence of “Stewart is [especially] popular with Democrats and independents…”

Despite the written word being mostly dead, textual analysis can shine a nice light on the values of those writing the words. Where with one text you can only say that the whole of the text was important to the author, but with two texts, one based primarily on the first, you can see not only what the second author found important to transcribe and in what sense, but also what wasn’t important (to them) at was left out.

Updates (from the fringe X)

September 4th, 2010

Well, nearly every major island and all the lakes on the map have now been named. All other mixed-language named locations have been fixed so that it is single-language. For example, when it gets late or if I’m in a rush I might name a forest “Raungemrif Forest” on the map. Where “Raungemrif” is dwarven for “northsea,” but “forest” is, well, heh, English. So over the past week I’ve been going through the labels on the map and fixing that, so if there was that forest it would now be labeled “Raungemrif Burid.”

On Thursday I got back to working on the timeline again.

Chapter XI, Section F & G: Historical Overview & Khormadal Timeline: 49 pages (still-still).

Chapter XI, Section B, C, & D: The World, Physical Geography, & Cultural Geography: 65 pages.

Chapter XIII, Section A: Glossary: 37 pages.

Total project size, not including maps: 306 pages.

Average pages per week: 4.333 (-0.042 change from two weeks ago)*

Average pages per day: 0.62 (-0.005 change from two weeks ago)*

Tentatively finished sections/chapters size: 155 pages.

*I discovered errors in the spreadsheet that calculates my averages and changes, but I think it’s fixed now.

Everything you know…

August 31st, 2010

…is wrong.

* Your memory is manipulated by being told “facts” repeatedly.
* Your brain ignores things you aren’t focusing on.
* Your brain makes shit up to fill in the gaps.
* Your brain will tell you a manipulated image fits with your memory of the event.
* Your mood during an event affects how, and if, you will remember that event.
The above via Cracked.com

“Everything you know is wrong.” You’re just going to end up like that old fart on the porch bitching about “the good old days.” But those good old days were just when mommy and daddy were protecting you from how bad everything was and they remember their good old days when grandma and grandpa were protecting them and grandma and grandpa have their silver-lining memories, but it’s all bullshit. The 2000’s were filled with wars abroad, sinking economy, city-destroying hurricanes, tsunami of 04, 9/11. The 90’s had near-impeachments, home-grown terrorists, the Macarena. The 80’s, recession, savings and loans, Chernobal, terrible hairstyles. The 70’s vietnam and the decade began with Kent State. The 60’s vietnam and threat of nuclear war. The 50’s social conformity with lynchings, not to mention Stalin’s happy works in the East. The 40’s, hell, half of that was dealing with Hitler. The 30’s, rise of facism, the Great Depression. The 20’s, prohibition and the crash. The 10’s, the Great War and the Spanish Flu. And so on. Like the 1800’s were any better…get sick, here get hooked on laudnum. 1700’s…no toilet paper no bidets. 1600’s…if you have a vagina and an opinion you’re probably a witch, better burn you. And so on and so on. In the past, if something pissed you off it was probably another person and you’d either kill them or they’d kill you, either way it sucked. Today, if something pisses you off it’s probably some piece of technology, your phone, car, computer, and all you can do is watch your blood pressure rise and kill you slowly. But I’m probably wrong.

Repetition breeds acceptance. Those talking heads on tv…they’re just humans who are fed information from other humans and they’re just as wrong about everything as we are and they keep repeating it and we keep hearing it and it’s wrong reinforcing wrong. And once you accept something as fact, even when you’re presented with undeniable evidence proving how wrong what you think you know is…you’ll just deny it, or ignore it, or make some shit up so that you can claim the evidence is faulty. I went to dinner with my wife the other day and I said it was my first time eating there. She said “no, we’ve eaten here twice before but back in the 90’s.” I don’t remember it. She does. We’re probably both making shit up. If I found the receipt would I then believe her? I’d like to think so, but if it wasn’t from my bank, my card, then I’d probably make some shit up like, “well, you must have went there with someone else.” If I went through both her and my bank statements during those years and found no evidence would she believe me? I’d like to think so, but she’d probably just say, “we probably paid in cash.” On the bright side, the more your loved ones say to you, “I love you,” then you can bet they’re convincing themselves of the fact more and more each time they say it. But I’m probably wrong.

Hell, even the five claims above are probably all bullshit…just humanity trying to convince itself that we know why we don’t know and now we’re working on convincing ourselves that we do. But we don’t. But I’m probably wrong. But I know who’s right (not that you’ll believe me because you’re already convincing yourself that everything I’m saying is bullshit): Weird Al Yankovic. And with that, I leave you with his lyrics to his song, “Everything you know is wrong.”

I was driving on the freeway in the fast lane
With a rabid wolverine in my underwear
When suddenly a guy behind me in the back seat
Popped right up and cupped his hands across my eyes

I guessed, “Is it Uncle Frank or Cousin Louie?”
“Is it Bob or Joe or Walter?”
“Could it be Bill or Jim or Ed or Bernie or Steve?”
I probably would have kept on guessing
But about that time we crashed into the truck

And as I’m laying bleeding there on the asphalt
Finally I recognize the face of my hibachi dealer
Who takes off his prosthetic lips and tells me

Everything you know is wrong
Black is white, up is down and short is long
And everything you thought was just so
Important doesn’t matter

Everything you know is wrong
Just forget the words and sing along
All you need to understand is
Everything you know is wrong

I was walkin’ to the kitchen for some Golden Grahams
When I accidentally stepped into an alternate dimension
And soon I was abducted by some aliens from space
Who kinda looked like Jamie Farr

They sucked out my internal organs
And they took some polaroids
And said I was a darn good sport
And as a way of saying thank you
They offered to transport me back to
Any point in history that I would care to go

And so I had them send me back to last Thursday night
So I could pay my phone bill on time
Just then the floating disembodied head of
Colonel Sanders started yelling

Everything you know is wrong
Black is white, up is down and short is long
And everything you thought was just so
Important doesn’t matter

Everything you know is wrong
Just forget the words and sing along
All you need to understand is
Everything you know is wrong

I was just about to mail a letter to my evil twin
When I got a nasty papercut
And, well, to make a long story short
It got infected and I died

So now I’m up in heaven with St. Peter
By the pearly gates
And it’s obvious he doesn’t like
The Nehru jacket that I’m wearing
He tells me that they’ve got a dress code

Well, he lets me into heaven anyway
But I get the room next to the noisy ice machine
For all eternity
And every day he runs by screaming

Everything you know is wrong
Black is white, up is down and short is long
And everything you used to think was so important
Doesn’t really matter anymore
Because the simple fact remains that

Everything you know is wrong
Just forget the words and sing along
All you need to understand is
Everything you know is wrong
Everything you know is wrong

Updates (from the fringe IX)

August 27th, 2010

Just a quick update. I have worked mostly on naming locations, geographical features, on the map so there has been no addition to the timeline, but 3 full pages of single line geographical entries is quite a bit of information.

Chapter XI, Section F & G: Historical Overview & Khormadal Timeline: 49 pages (still).

Chapter XI, Section B, C, & D: The World, Physical Geography, & Cultural Geography: 62 pages.

Chapter XIII, Section A: Glossary: 36 pages.

Total project size, not including maps: 302 pages.

Average pages per week: 4.375 (-0.24 change from two weeks ago)

Average pages per day: 0.547 (-0.12 change from two weeks ago)

Tentatively finished sections/chapters size: 155 pages.